Latin

In this course, students will develop their comprehension of Latin grammar, vocabulary, word inflection patterns, and syntax by close reading of selected works of Catullus and Cicero in fall and Ovid and Livy in spring. The ancient Roman Republic lasted 450 years before imploding into a military dictatorship. The democratic republic in the United States, modeled on the ancient Roman Republic, has lasted just 237 years and now confronts forces threatening to replace it with dictatorship or some form of authoritarian populism. Examining works of poetry and prose, both accompanying and following the advent of autocracy in ancient Rome, we will consider the value and limits of literature for exposing, challenging, or affirming hierarchical and tyrannical ideals, institutions, and norms.

This course will provide an intensive introduction to Ancient Greek grammar, syntax, and vocabulary, with the aim of reading the language as soon as possible. By fall mid-semester, students will be reading authentic excerpts of Ancient Greek poetry and prose. Students will also read and discuss English translations of selected works of Plato, Aristophanes, Thucydides, and Pseudo-Xenophon. In spring, while continuing to refine their knowledge of Greek grammar and their reading skills, students will read extended selections of Plato’s Apology in the original Greek. Biweekly individual conferences with the instructor, in addition to class sessions, will be required.

In this course, students will develop their comprehension of Latin grammar, vocabulary, word inflection patterns, and syntax by close reading of selected works of Catullus and Cicero in fall and Ovid and Livy in spring. The ancient Roman Republic lasted 450 years before imploding into a military dictatorship. The democratic republic in the United States, modeled on the ancient Roman Republic, has lasted just 237 years and now confronts forces threatening to replace it with dictatorship or some form of authoritarian populism. Examining works of poetry and prose, both accompanying and following the advent of autocracy in ancient Rome, we will consider the value and limits of literature for exposing, challenging, or affirming hierarchical and tyrannical ideals, institutions, and norms.

Where and how did democratic ideals emerge? Throughout the history of the world, hierarchies of power and privilege have predominated. Democracy is not the norm. Democracy is the bizarre exception. But 3,000 years ago, ancient Greek epic poetry began to undermine the moral validity of political hierarchies and tyrannical abuses of power. From the eighth through the fifth centuries BCE, ancient Greek literature cultivated ideals of humanity, equality, and justice vital to sustaining humane, egalitarian values, norms, and institutions. Over centuries, ancient Greeks came to understand—as by now we must—that not only individuals but also groups, both large and small, can wield power tyrannically by using violence and intimidation to subjugate others and silence dissenting opinions. Reading selected works of Homer, Aeschylus, Sophocles, Herodotus, Euripides, Plato, and others, we will investigate how and why the Greeks developed democratic ideals, why they themselves failed to attain them, and how we might do better. This course is reading- and writing-intensive. We will also encounter ideas that are uncomfortable and troubling in various predictable and unpredictable ways. The course is designed for anyone who welcomes open-minded critical inquiry and is eager to read and calmly discuss texts that are challenging, both intellectually and emotionally. In fall, students will meet weekly with the instructor for individual conferences; in spring, individual conferences will be biweekly. 

Julian of Norwich is the earliest known woman to author a text in English. In 1373, at the age of “thirty and a half,” Julian fell severely ill. On the brink of death, she experienced a series of visions, which she recorded as her “short text” or Shewings. Sometime after her recovery, she chose a life of solitude as an anchorite; and for the next 40 years, Julian contemplated and elaborated on her visionary experiences. The result is her “long text,” A Revelation of Divine Love, which has been called “the most important work of Christian reflection in the English language.’ The journey of this course will begin with Julian’s Shewings and end with her Revelation—her writings serving as a lens to various traditions of medieval mysticism. Along the way, we will encounter the “intellectual” and “erotic” threads of mysticism woven throughout Jewish, Christian, and Islamic spirituality—from the philosophy of Ibn Sina (Avicenna), Solomon ibn Gabirol (Avicebron), and Augustine of Hippo to the poetry of Ibn Arabi, Dante, and Jewish mystics. Next, we will examine how monks and mendicants such as Richard of St. Victor, William of St. Thierry, and Bonaventure understood the intersection of human and divine love, how the knowledge of self leads to the knowledge of God. We will then pause at the fraught waystation of mysticism and heresy to examine how Meister Eckhart’s and Marguerite Porete’s teachings of the soul’s total union with God were met with institutional hostility and violence. Finally, we will land once again in medieval England. After surveying Julian’s English contemporaries, we will embark on a sustained close reading of her Revelation of Divine Love—now with preparation to see how she understood the purpose of her visionary experiences: “Who showed it thee? Love. What showed he thee? Love. Wherfore showed he it thee? For love.”

What if the roots of English literature were not wholly English? How were the origins of Italian literature pollinated with Arabic philosophy? This course will explore these questions and more through two foundational texts—Dante’s Divine Comedy and Chaucer’s Canterbury Tales. Often read in isolation, we will instead study these works together—in historical, intellectual, and comparative context—charting how the high tide of Italian literary culture reached the shores of medieval England, how Dante’s vernacular epic of the afterlife helped shape Chaucer’s vernacular epic of earthly life. In fall, we will focus on Dante, treating his formation as a poet and thinker as a window into the formation of Italian literature itself. We will explore his engagement with the Occitan, Sicilian, and Tuscan lyric traditions; his reading of Aristotle through Arabic and Latin commentators; and his response to the burgeoning—and fraught—political and intellectual climate of medieval Florence. Having immersed ourselves in the life, times, and mind of Dante, we will then turn to the Comedy itself, reading all three canticles—the Inferno, Purgatorio, and Paradiso—with special attention to Dante’s evolving understanding of love and desire. In spring, we will turn to Chaucer and his role in inaugurating vernacular English literature through a rich, self-conscious dialogue with Dante and the other “corone,” or crowns, of Italian literature—Boccaccio and Petrarch. Chaucer’s travels to Genoa and Florence in 1373 and Milan in 1378 were formative for him as a person and poet. At a time when hardly anyone in England had heard of Dante, Boccaccio, or Petrarch, Chaucer read them in the original and responded to them by creating new literary forms. In doing so, Chaucer fashioned a future English literary audience; in a real sense, he wrote for us. We will read Chaucer’s House of Fame (a direct response to the Comedy) and Canterbury Tales, pairing each tale with its Italian analogues and influences. Throughout the year, we will practice comparative reading and source study, mapping how ideas and literary forms travel across, cultures, languages, and borders. In the process, we will encounter the profoundly interconnected intellectual world of Dante’s and Chaucer’s Middle Ages.

What is in a feeling, and what does it do? This course will explore how medieval writers understood the emotions—what they called the passions—as forces that move the soul, affect the mind, transform the body, and raise pressing questions about free will and moral responsibility. Because the passions operate at the threshold of the soul and body, virtually every domain of medieval thought had something to say about them—from poetry and medicine to philosophy and contemplative devotion. For instance, physicians like Peter of Spain diagnosed lovesickness and melancholia as genuine medical conditions. Philosophers like Aquinas compiled catalogues of the passions—from joy and sorrow to fear and courage to despair and hope—and offered phenomenological descriptions of how the passions arise through both embodied sensation and ensouled experience. Occitan troubadours like Arnaut Daniel and Italian lyric poets like Cavalcanti and Dante could write of love as the bondage of mind and will or the source of ethical nobility and spiritual freedom. (Dante did both.) Mystics like Walter Hilton and Julian of Norwich explored how emotional awareness could be refined into subtler modes of spiritual attention and how, at the same time, the inmost experience of divine love could be expressed as ecstatic, passionate feeling. In addition to the themes and writers above, this course will examine how the passions open onto questions of habitus and disposition—how repeated action shapes how we feel and how the way we repeatedly feel shapes our action. We will also consider how emotion is at the center of vice and virtue—how the quality of our feeling determines the quality of our inner life and our life with others. With the help of contemporary scholarship, we will approach the medieval passions with historical and phenomenological methods of analysis. Through these lenses, we will see how the passions in the Middle Ages serve as a unique site for comparative intellectual history, spanning disciplines and bridging ancient, medieval, and modern traditions. At the same time, studying the medieval passions offers something more personal: the chance to recover forms of feeling and attention from the past that might expand the borders of our own in the present.